IN THE PRIVATE DINING ROOM, the party continues to swing. Just as Victor tells the group that this is the best birthday party of his life, the waiters wheel in the birthday cake and everyone sings Happy Birthday. As they cut the cake, Diane makes one more toast to her wonderful husband. Vicki wishes a happy birthday to the best father in the world---and the youngest. Nick tells his father that he looks happy and he deserves to be. Victor makes the announcement that he and Diane will be doing a lot of traveling. They will take the private jet and go wherever they notion takes them. Diane and Victoria hold hands and walk away talking about what to pack while Victor and Nick talk. Seeing that Nick and Sharon are still having trouble, Victor invites them to come along on the trip. Before answering, Nick needs to talk to Sharon. Victor also thinks it would be a good idea if he talked to her also.
Meanwhile, Victoria gets a call from Tony. He wants to get together with her later, so she invites him over to the private dining room. The party is breaking up now, so they will be alone. And don't worry, you won't need a tux; come as you are, she tells him.
TONY SHARON
Grace tells Cassie that Sharon has something to tell her. "You know Grace is not your mother, don't you?" Sharon begins. Cassie tells her that it doesn't matter to her; she loves Grace. "It does matter," Sharon says. "I am your real mommy." Cassie covers her ears and begins to yell. "It's not true! Stop saying that! It's not true."
Sharon tells Cassie that it is the truth; she is Cassie's real mother. She gave birth to her. Cassie tells her that if she is her real mother, then she gave her away when she was born. You didn't want me then, so why do you want me now? She asks. "Grace found me and now we have each other." Sharon tries to explain that she didn't want to give her up when she was born, but sometimes you don't have a choice. Then things in life changes. This is one of those times. Now she is going to be Sharon's little girl. She will be living here at the ranch with Sharon and Nick and Noah.
"You have Noah," Cassie says. "Grace doesn't have anyone. I want to go home now, Grace. Please take me home."
Grace tells her that she is home. This will be her home from now on. Sharon tells her that she will be her little girl, but Cassie says that Grace is her mommy---not Sharon.
"I'm not your mom," Grace says. "I wish I was, but I'm not. Sharon is your mother."
"Then I wish you were my mother," Cassie cries.
NIKKI AND JOSH,
Nikki tells Josh about all the little stages that a child goes through once it is born. He can't wait to experience every moment. In her room, S/V is angry. "He doesn't love you Nikki. You cast a spell over my Joshua. I cannot listen to any more of this." She reaches for the speaker, but can not make herself turn it off. She continues to listen while Nikki and Josh discuss whether they want a boy or a girl. Finally, S/V turns off the speaker. "You will never have a child with my Josh," she declares. "No, I don't think so. It will never happen; NEVER! I will not allow it!"
PAUL AND CHRIS
"Sounds a little like you and me," Paul observes. "We are forming a bond for the rest of our lives."
Paul wonders if it was a mistake coming to Gina, when he notices that Chris keeps spacing out. He doesn't like hiding; he likes to take life straight on.
VICTOR AND DIANE
Danny comes in and asks Gina if he can try out a couple of songs. Gina points out that Chris and Paul are there; will he be joining them? No, not just yet, he tells her. Gina announces that Danny will be singing, and he takes the stage. He sings "Every Breath You Take" while never taking his eyes off Christine. Chris turns completely around in her chair and gazes right back at Danny. She is dreamy-eyed and cannot take her eyes off Danny. Paul sits there totally ignored and he doesn't like it one little bit. After the song ends, Chris continues to stare at Danny. In disgust, Paul tosses him napkin on the table and walks out. When Danny sees Paul leave, he comes over to the table and asks how she liked his song. When she tells him that it was great, Danny tells her that it was for her. He bends forward and the two of them kiss. Chris doesn't even try to pull away.
TONIGHT IS THE NIGHT TO BE AT GINA'S. Paul and Chris are there to relax, but they do anything but relax after Danny takes the stand and sings directly to Chris. Paul leaves in disgust. After the song, Danny comes to Chris and asks her how she liked the song since he was singing it to her. They kiss, and Danny tells her that he needs to talk to her. You don't need to apologize, Chris tells him. I wasn't going to apologize, Danny answers.
AT ANOTHER TABLE, VICKI AND TONY NICK,
Nick agrees that it is sloppy work; his home situation has been interfering with his work. He tells Jack that Sharon is still involved with "this kid, Cassie," and still will not open up to him. He tells Jack about his Dad suggesting they go away with him and Diane so that Sharon can get a better perspective on where they are. He is going to tell her about it tonight. If that doesn't work, then he is going to suggest outside help.
PAUL
Even though Paul doesn't want to get into it, he tells her about what happened at Gina's. Mary says that she saw it coming; Christine still isn't over Danny. Now she understands why Paul is upset; his wife is betraying him and he doesn't deserve it.
Paul tries to explain that Chris is only confused and she is trying to sort out her feelings. She was up-front with him. Not many women would come to their husbands and tell them, this is what I am feeling; this is what I am going through. She is trying to be fair, he tells her. But Mary doesn't think she is being fair at all and she is not showing any kind of loyalty.
BACK AT GINA'S,
Just as Chris opens her mouth to speak, Gina runs up with the phone. Danny has an important call from his agent. Danny tries to control his anger as he loosens his grip on Chris's hand. He tells her to take a message. Just then, Chris looks around and suddenly realizes that she and Paul are alone. "Where is Paul?" she asks.
VICKI AND TONY
"Speaking of odd couples . . ." Cole says, looking at Vicki in her evening gown and Tony in his leather.
"It's called casual sheik," Tony answers.
"I can't believe you two handsome guys are all alone," Vicki says. "And husband number one is dining with husband number two---or almost number two, right Darling?"
"Does that mean that Tony is going to be husband number three?" questions Cole.
"Strange you should mention that," Vicki purrs without missing a beat. "Tony and I was just talking about that tonight, but we haven't made a decision. It is a bit premature, don't you think? It is so tacky jumping out of the divorce and right back into marriage."
"Touché, Vicki," Cole answers.
"Besides, marriage is so stifling," continues Vicki. "I have been thinking that marriage and I don't agree."
"What do you think about the Holy Estate of Matrimony, Tony?" Cole asks.
"I don't know," answers Tony. "I have never tried it. Vicki tells the "boys" that their coffee is ready. They will leave them alone, but if they see a couple of hungry blondes hanging around, she will send them over.
PAUL
"You could see the connection you and Danny have," Paul tells her. "You could reach out and touch it, and there isn't a thing I could do about it. I am trying to be understanding about this."
"It is incredible how you are dealing with this," Chris tells him. "All I can tell you is, I love you. Please be patient with me."
BACK AT THEIR TABLE, GRACE
"I love you and want to give you a wonderful life," Sharon pleads with her daughter. "You like spending time here with Noah and me. This is your home now and Noah is your little brother."
"I like visiting, but I don't want to live with you. I have a home. I don't want to be your little girl! You gave me away!"
"Oh, Cassie, that was the hardest thing I ever had to do. But, I did it because I loved you so much. I didn't have any money; I didn't have a job. I was only sixteen. Even though I loved you, I knew it wouldn't be fair to keep you. I had no way of taking care of you."
"But you did give me away. I never had a Mommy until Grace found me. Doesn't it matter what I want? Grace tucks me in at night; she says my prayers with me and helps me with my homework. I used to pretend that I was a fairy princess. I lived in a big house and had lots of pretty clothes and lots of toys. Now I know that was do dumb. Those things don't matter."
Sharon pleads with Cassie to give her a chance. She didn't love Grace at first, but she learned to love her. You will learn to love me if you just give me a chance, she pleads. Grace tells her that she is hurting Sharon so much when she says these things. Sharon is her real mother. Cassie wonders how long Grace has known that Sharon is her mother. She is surprised to learn that Grace has known all along.
Sharon suggests that it is late; Cassie should sleep and they will talk tomorrow. Cassie is shocked to learn she is supposed to sleep here. She asks if Grace can please sleep here also. Sharon leaves it up to Grace who says she will stay. Cassie wants to sleep in the same bed as Grace. "What will it hurt?" she asks Sharon. Then to Cassie, she says that they can cuddle up together all night. "I love you, Mommy," Cassie says as she embraces Grace. Sharon is left alone with tears in her eyes.
SHARON tells Cassie that everything will be different now; she has a family. She understands how Cassie feels; she loves Grace and Tony, but she would never take them away from her. Now she has Sharon and Tony, but she also has a real mother and a baby brother who loves her. When Cassie asks about Nick, Sharon explains that Nick doesn't know about her yet. She wanted Cassie to know first. She also wanted Nick to have a chance to get to know Cassie first. Cassie says that sometimes Nick doesn't seem too happy to have her there at the ranch. Sharon assures her that Nick will get used to the idea. Cassie doesn't care if he likes her or not. She goes to the kitchen for a glass of water.
"Well, you can see how happy she is now that you have unburdened yourself, Sharon," Grace says sarcastically.
"We both knew it would be difficult after you spent months letting her become attached to you," Sharon answers.
"You are so self-righteous," Grace sneers. "You are the person who put her up for adoption in the first place. You never wanted her . . ." She stops as Cassie comes into the room and accuses them of arguing over her. Once again, Cassie calls Grace "mommy," so Sharon asks if she will do her a favor. Will you try to stop calling Grace "mommy?" she asks. Grace isn't your mommy and she has never been your mommy. I know that you are used to doing that, and sometimes you may forget and call her that, but will you try to stop? Cassie agrees but says she still thinks of Grace as her mommy.
Grace and Cassie go to bed. "At least I have my daughter with me," Sharon whispers. "Finally, I have my daughter!"
VICTOR TRICIA JOSHUA AND NIKKI S/V NICK
Before Sharon can say anything, Cassie comes out of the bedroom and tells Sharon that she is still thirsty. Sharon takes her to the kitchen for water, leaving a fuming Nick alone. DAMMIT, he says after he is alone. He finds the doll that Sharon has hidden under the pillow on the couch. He starts to throw it into the fireplace, but changes his mind and tosses it onto the couch. Sharon comes in and takes Cassie back to the bedroom.
"What is she doing here?" Nick asks when she returns to the living room. Sharon tells him to calm down and she will explain, but Nick says he will NOT calm down. He thought they had a deal about NO MORE Cassie at the ranch. He doesn't want her here, but it is obvious that Cassie is her priority. She doesn't give a damn how he feels and he is sick of it. I'm GONE! He says as he grabs his coat and slams out of the house.
PHILLIP
Nina asks Phillip knows what tomorrow means and Phillip answers that tomorrow is the day Ryan divorces his mother. They try to assure him that they will have many more meals like this and he will be taking Phillip to ballgames, movies, and such. It won't be the same after tomorrow, Phillip says
After the meal, Ryan gives Phillip his fortune cookie. It reads: Your greatest wish will come true. This puts him in a very sad mood. While Nina and Ryan try to cover the moment with talk, Phillip suddenly throws himself on his dad. He grabs Ryan around the legs and begs him not to go through with the divorce. Stay with us, he pleads. Make it like it used to be.
Nina tells him that it isn't all Ryan's fault; she wants the divorce also. They both will always love him. Ryan promises to always be there for him. He gives Ryan a big hug and Ryan leaves.
JACK NIKKI AND JOSH S/V JACK
While she is dressing, she tells Josh that Nick needs her. She won't be gone long. He makes her promise to be careful; there is a terrible storm going on outside.
In her room, S/V is listening in. We will be all alone, she says. Joshua, we will have the house all to ourselves. She goes to her closet and takes out her satchel. She brings out her negligee. "Bitch! Joshua and I are all alone. It is time to make my move. You will not be lonely tonight, my love; you will never be alone again. Tonight you are going to get the surprise of your life. In a few moments you will know that your wife is still very much alive."
NIKKI S/V
VICTOR AND DIANE are aboard the private jet winging their way to . . . where? Victor still won't even give a hint of their destination. "You are an amazing and infuriating man, Victor Newman," Diane tells him. "But I am going to make you talk," she adds in a KGB accent. Victor smiles and tells her he is looking forward to her "friendly persuasion." He opens another bottle of champagne and she tells him that he is spoiling her much more than usual. "That is because I appreciate you," he tells her. "And I will tell you this much. Wherever we land, you will be very happy." Diane tells him, "Wherever I go with you will be the most wonderful spot on earth."
NIKKI
Beyond the window, the lightening flashes.
VICTORIA AND TONY
Vicki looks out the window at the storm that is picking up in ferocity. I would never make it home in this weather, Vicki says, shivering, as another clap of thunder breaks the silence.
"Then don't," Tony tells her. "There is plenty of room here for you to crash for the night. I promise, no funny stuff, at least for the night. I can keep my raging male hormones under control."
While listening in, S/V hears Miguel knock and enter the bedroom. He tells Josh that he is planning on going into town for the night if it is all right with him. Josh warns him that a powerful storm is brewing, but he can go if he is careful. This pleases S/V very much. She begins to wipe off her heavy makeup "Tonight we will be alone, Joshua," she whispers. "After you realize I am still alive, you will never want to be with Nikki again. This is going to be the most incredible night; one that neither of us will ever forget."
CHRISTINE
"You have some gall," Chris tells her. "Don't judge me. You can't even imagine what I am going through. I love your son!"
Mary tells her if she is going to break her son's heart, then make it quick and clean while he still has a chance to salvage what manhood he has left.
Just then, Danny comes into the office. Mary tells him she was just leaving. But do my son a favor and get this woman out of his life, she tells Danny.
Heavy rain pounds the earth while the thunder and lightening gain in intensity. Winter is throwing one hell of a goodbye party!
JACK
"Are you making me an offer?" Jack asks, intrigued. Katherine tells him that he needs to get out of the office and find himself a personal life and the sooner the better. He is wasting his best years in work. Just then, a beautiful young woman comes in asking if she is late. Jack tells her that she is just in time. As he leaves with her, he tells Katherine to feel free to wait out the storm in his office.
JILL
"I am living alone and loving it," answers Katherine. "Meanwhile, you are wasting your time with Keith Dennison. He is never going to marry you, Jill. You are just a dalliance for him."
"For your information, we are engaged," announces Jill.
"Then where is your ring?" questions Kay. Jill tries to tell her that she just isn't wearing it at work, but Katherine isn't buying that excuse. "You aren't wearing the ring because you don't love the man, Jill. If you marry Keith, you will be bored to death!"
"You are just jealous," Jill responds. Just then, the lights go out. Jill says that if the lights are out, so are the phone and the elevators. Great, she says. We are stuck here until the emergency power comes on. They wonder if Jack has any food in the office, since they are both hungry. Kay finally finds a box of chocolates and begins to eat, telling Jill that she has found her supper, but Jill should keep looking and maybe she will find something. Jill calls her a wart hog too selfish to share. The two settle down to a "supper" of mixed chocolates. Soon, the lights come back on and Katherine takes the opportunity to leave.
DANNY JOSH
Sara puts the tea down, then walks over to the bed and sits down beside Josh. Startled at her familiarity, he looks up. "What are you doing?" he demands. She just looks at him and smiles a little Mona Lisa smile. "I mean it, what are you doing? Leave now!" He tells her.
"You don't understand," she tells him. "You don't have any idea, do you? You are going to be so surprised when I tell you."
"Leave NOW!" Josh again demands. "Have you been drinking? You are going to feel foolish in the morning. Now I am asking you again to leave." He gets up from the bed and walks across the room.
"2303 Cherokee Lake," Sara says, continuing to smile as she watches her "love." Josh is confused and doesn't know what she is talking about.
"Yes you do," she tells him. "Remember that little apartment on the second floor where you took your wife after your honeymoon? You had to leave because you were on call. You were just an intern."
"How do you know all this stuff?" a baffled Josh asks.
"What happened to your wife, Josh?" Sara goes on.
AS THE STORM CONTINUES TO RAGE,
As the lightening flashes and lights up the room, Vicki shivers. Tony puts an afghan around her legs and she lays her head on his shoulder just as the movie begins.
MARY JOSH
"You believe she drowned," S/V goes on as if he hadn't spoken. "But she didn't. Here, let me show you." She reaches up and removes the wig. Then she shakes out her hair until it is falling all around her shoulders.
"OH MY GOD!" Josh exclaims. "This is not possible!"
"Yes, it is me, Josh, your wife. I am not dead, my darling. I came back to you. It is so wonderful being with you again like this. There is so much I have wanted to say. Oh, Josh, I have never stopped loving you!" She throws her arms around Josh's neck.
Josh pushes her off. "They found your body. They gave me your ring."
"My wedding ring, yes. But I wasn't wearing it. After we separated, I became despondent. I gave the ring to a homeless woman. It was her body that they found."
Josh is beside himself with disbelief. "Dear God!" he gasps.
"I never thought I would see you again until one day when I saw your picture in a medical journal. Now I have found you. You don't know how hard it has been all these months being so close to you and not being able to say anything." She throws herself into his arms again.
Josh pushes her away, roughly. "I am not happy to see you!"
"I haven't changed that much, have I?" Veronica asks as she removes her negligee. "You used to tell me how much you loved my body. You used to love making love to me."
Josh is horrified.
CHRIS
Paul tells her that he has been pretty understanding with her situation. He knows she has a lot to sort out, but so does he. He thinks it would be best if they spent some time apart so that they can sort things out. You should move out of the apartment, he tells her.
Chris says that she had no idea he felt this way; she loves him. Love isn't the issue here, Paul answers. It is more complicated than that.
"And you think living apart will make it less complicated?" Chris asks.
Paul doesn't know, but it is what he wants. Chris doesn't know who she wants to be with and he thinks she needs time to figure it out.
"I'll go home and pack a bag. I will be out of the apartment tonight."
VERONICA
"We did not have a real marriage. We didn't love each other. You are out of your mind. Leave! Now. Pack your bags and get out of here tonight. I want you to go far away from here."
"You don't mean that!" Veronica cries, as she rushes toward him.
"I love Nikki!" Josh says as he once again pushes her away. "You have no business here. GO! I did not love you then, and I do not love you now. GET THAT THROUGH YOUR HEAD, ONCE AND FOR ALL"
In tears, Veronica grabs her negligee and backs out of the room. She rushes to her room. Once in her room, she takes down the satchel as if in a trance. She takes the key and unlocks the satchel. Putting her hand into the satchel, she pulls out the gun and, staring off into space, cradles the gun to her chest.
The lightening brightens the room while the thunder crashes all around!
VICTOR AND DIANE have landed in some tropical-looking paradise. They are enjoying their second honeymoon, but Diane wonders how long it will last. Victor tells her that it will last as long as his beautiful wife desires. The world is truly at your disposal, he tells her.
"We can really go anywhere in the world?" Diane asks. Victor tells her that they have a jet at their disposal and an open flight plan. "And no emergency back in Genoa City can lure you back?" Diane asks. Victor tells her that the only emergency he cares about is taking care of their honeymoon. "So, where do you want to go next? Paris? London? Rome?"
"Where do I want to go now? Back to bed," Diane tells him. He gathers her up in his arms and carries her inside to the bed.
PAUL'S OFFICE: NINA
Back in her room, VERONICA has put her uniform back on. She remembers how Josh pushed her out of his room while telling her that he never loved her. She screams and begins talking to herself again. "He hates me now and it is all because of you, Nikki. Nikki did this to me. It is all because of that bitch, Nikki." As lightening lights up the room, she reaches into her uniform pocket and pulls out the gun.
OLIVIA'S OFFICE: DRU AND NEIL
After he leaves, Sid calls and reminds Dru of the offer he made her a couple of days ago. He can't wait forever, he tells her. Dru passes on the job even though it is a chance of a lifetime; however, she can't completely tell Sid to stop calling.
OLIVIA'S OFFICE: JOSH'S BEDROOM:
"I cannot leave now," Veronica tells him. "You are the reason I came back in the first place."
"You need psychiatric help," Josh tells her.
"No!" she answers. "I will not talk to anyone. You are the one with a problem. How can you say you never loved me? It isn't true. I gave my love to you completely; I have never forgotten it for a moment."
"It was never a marriage. We spend so little time together. You have to remember how it really was. You are just clinging to the past. It won't work. You have to move on."
"No, Joshua," she says, shaking her head. "I want you so much. I need you, how could you turn your back on me? I have always loved you."
"I am married, Veronica. I have a new life."
"What about our life? We could have it all again. It would be like it was before. You don't love Nikki; Nikki is just a diversion."
Josh tells her that she has five minutes to pack and leave the house or he will call the police. Sobbing, Veronica leaves the room. Standing in the hallway, she reaches into her pocket and pulls out the gun. She walks back into the room where Josh is standing with his back to her. As the room is lit up by another flash of lightening and the sound of thunder reverberates, she points the gun at Josh.
PAUL
Once he reaches the office, Danny wants to know what this has to do with Chris. "That was some stunt you pulled at Gina's," Paul begins. "How could you have the nerve to perform to my wife like you did? And I saw that little kiss you gave her at the office." Danny doesn't apologize; instead he claims that Gina's was a "lucky coincidence." Paul shouts that just because he has asked his wife to move out that doesn't mean he is giving up on his marriage.
Danny is surprised to hear that Chris has moved out, even though Paul thought she would have called him right away. However, Danny tells Paul that he and Chris deserve a chance to get back all that they have lost. Paul reminds him that he, Danny, is the reason he lost Chris. Danny tries to blame it on Phyllis, but Paul will not allow him to abdicate his responsibility in the affair. Still Danny says, leaving you means she is one step farther from you and one step closer to me!
JOSH
But Veronica tells him that she has enough regrets to last a lifetime. "You are contemptible, Joshua. How could you do this?"
"Put the gun down and leave. Leave now!"
"No, you are the one leaving." Lighting flashes and thunder rolls very close together. At the same time, Veronica pulls the trigger. When it is over, Josh looks at Veronica with an incredulous look on his face. He rushes toward Veronica, but she shoots again and he falls back on the floor. Veronica looks surprised at what she has done.
The phone rings and Veronica answers it. It is Miguel calling to see how things are at the ranch. She tells him that it is peaceful, but Miguel warns her that the storm is headed her way. It won't be peaceful for long. He tells her that he is staying in town over night; will she tell Dr. and Mrs. Landers?
NIKKI
Nikki tells Nick that they should go home, but Nick says he is going to crash at the office for the night.
Later, Nikki arrives home. Is my husband still asleep? She asks the maid. I don't think he will be awake any time soon, Veronica tells her boss. She then informs her that they are all alone. Nikki tells her that she is tired of her insubordinate attitude.
"And I am tired of yours," Veronica responds. "And I don't intend to take it any longer. You took him away from me."
"Have you been drinking?" Nikki asks, astonished at the tone Veronica has taken with her.
"Funny, your husband asked me the same thing." Nikki demands that she go upstairs and pack her bags and leave or she would call the police. Veronica tells her flat out that she is not leaving. She is through taking orders from Nikki.
Nikki begins calling out for Miguel, but Veronica only laughs at her, telling her that Miguel is staying overnight in town. It is just you and me, she says. Nikki orders her to leave the ranch, but Veronica tells her she won't leave. "I am his wife," she announces. "You took him from me. You ruined everything for me, but no more. You will never screw up my life again."
A bewildered Nikki doesn't know what she is talking about. She goes to the phone, telling Veronica one more time to leave her home. As Nikki dials the phone, Veronica pulls out the gun and aims it at Nikki. There is a loud crash of thunder mingled with the sound of the gunshot. The camera goes to the phone. It is hanging down from the table. Beneath the dangling phone, Nikki lies face down in a pool of blood.